"I shoot few minutes scenes of those perfect places: the ones that I usually like to walk through, the ones I discover by change, the ones I feel they have a real inspiration strength and the special scenes from specifics requests. More than all, visual aspect of the moment is important.
1 My phone is my videographic assistant. I set its camera to make sure the computer will get in trouble while reading the shoot. A captor is recording more information than we as human can see from one side to the other side.
2 The computer is processing its own reality and mine is called Mu Cephaï. At this point I'm its assistant while it is digging into the different part of its memory and giving us different side of a same pictorial result... it is given the best of it-self giving us crucible of our senses like a Mozart or jazz pieces.
3 There, I choose from the cursorily bugs, the best
of them. Sometimes I let one of this infinite perfection
moment pass by and it is too late, I didn't get time to freeze this
moment. it is a tear it is difficult
to manage in the spiral of those performances from which I am the
boatman. Sometimes I make the choice not to freeze the picture and
I regret.
What you see is unique and cannot be done twice."
